Oedipa at this point is almost as hesitant about everything as are we as we follow along her story. Besides second guessing herself about what she'll even do if everything goes according to plan, she's skeptical of many other things in her surroundings and jumps to conclusions (or at least more hunches) about what she sees around her. She describes the men in the auction room as having "cruel faces" and "trying each to conceal his thoughts," while she decides in a single glance that the auctioneer is some kind of controlling puppeteer and draws several conclusions about him. Oedipa, despite obviously having much to lose from the situation and her lengthy investigation of Tristero, indulges in all kinds of wandering thoughts.
The story ends just before Oedipa expects to find out some real, concrete information and should lead to a much better understanding of the whole affair, but Pynchon could just have easily stopped the novel before any of the other epiphanies concerning Tristero that she's experienced. The only clear conclusion to make is that this isn't near the end of Oedipa's story; if it was, he would have gone on and shown the truth and concluded the novel. It seems like it'll just keep on going, which means that the author intends for Oedipa never to really understand the truth and be able to explain the mystery.
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